ZZ Top - Live 5.15.09 - Portsmouth, VA

Legendary. Masterful. ZZ Top is what every other power-trio should strive to be. It is tough to name the best bands of our time without mentioning these boogie-blues-rock veterans. Playing together for nearly 40 years, they are one of the rare groups still composed of the original recording members.

ZZ Top started off their rip-roaring set of tunes at Portsmouth's nTelos Pavilion with 1983 chart-topper "Got Me Under Pressure." From there they took a journey through all of their greatest hits, paying homage to Jimi Hendrix and Muddy Waters along the way with colossal covers of "Hey Joe" and "Catfish Blues."

"Waiting for the Bus>Jesus Just Left Chicago" got the all-ages crowd standing and dancing, with intoxicating guitar work from the Reverend Willie G and bottom-line domination from Dusty Hill and Frank Beard. "Just Got Paid" was a shoo-in for a Friday night show, and my personal highlight. Another winner, "Heard It On The X," was stuck in my head all day Saturday. The fuzzy white guitars made a brief appearance during "Legs," and were then carried offstage by guitar tech Elwood, who Billy Gibbons proclaimed as being "the best guitar guy in the world." Billy handled most of the crowd banter and singing throughout the night, with Dusty taking lead for a few tracks and manning backup vocals for the rest.

When introducing the band, Billy noted the irony of the drummer being "the man without the beard, Mr. Frank Beard." He also made sure to mention that they had gone out for Mexican earlier since he was "about a quart low on hot sauce." Not too long after that comment, the backdrop screens displayed a slideshow of tacos, enchiladas, burritos, etc. that had my mouth watering for queso.

Although the synchronized steps and struts have definitely become less frequent, the beards are still long and the jams are almighty. If you're so fortunate to have ZZ Top tour in your area, do not miss the chance to go. These founding fathers of hard rock are a must-see.

2008 In Music: Eric Lindell

This album is the only one I properly reviewed in 2008, nearly a year ago. Low on Cash, Rich In Love was my introduction to Eric Lindell, and it definitely impressed me. If you're looking for a breezy, laid back listen, Eric is your man. Soulful, funky, modern blues - how can you go wrong?

Read my review HERE

Eric Lindell - Low on Cash, Rich in Love CD Review

In a world where money dominates nearly every facet of our lives, Eric Lindell's latest release Low on Cash, Rich In Love provides a refreshing return to the basics. Declaring in the title track that he’s “low on cash, low on change, rich in love and other things,” Eric reveals the straightforward and sincere attitude that is the hallmark of the album.

With a dynamite cast of supporting musicians, Lindell easily dabbles in the blues, funk, and creole-flavored soul. His New Orleans heritage is unmistakable, especially in “It’s A Pity,” clearly a reflection on the aftermath of Hurricane Katrina. Ripe with thick basslines and electrifying organ runs, this track quickly stands out as one of the highlights.

Eric’s talents as a songwriter and musician are many, but perhaps the most alluring is the sultry and seemingly effortless vocal delivery that seasons every song. The way he sings “baby” certainly had this reviewer spellbound. Mix in his impressive chops on the guitar and harmonica, and you certainly have the fixings for music's next rising star.

While the lyrical content of the album is by no means complex, the themes of romance, relationships, and devotion are instantly accessible and down-to-earth. Lindell exposes himself as a lady’s man in the first minutes of the lilting and sweet opening number, crooning “girl I’ll be doggone if I’ll let you slip away, so lay back, lay back down.”

He continues to pour on the charm in the gritty “It’s My Pleasure,” accented by simmering slide guitar and Delta-inspired riffs. The song slowly builds to a wicked jam, another of the finest moments on the album.

Low on Cash, Rich in Love surely doesn’t break the mold, but it fits into it exquisitely. Lindell has crafted a collection of sing-along worthy songs with rhythms that will definitely get bodies moving on a dance floor. It’s the type of music that just screams to be performed in front of an audience; and as luck would have it, Lindell is no stranger to the stage. If this album is any indicator, his upcoming concerts should not be missed.

Listen:

The Bridge - The Bridge CD Review

There is something undeniably cathartic about driving and listening to music.

Certain albums seem to be made for the open road, and The Bridge’s self-titled release is one of those offerings. With a laid back pace and narrative lyrics referring to wheels a-turning and engines spinning, it is a very befitting companion for a trip down the highway.

The young Baltimore-bred quintet delivers a melting pot of musical styles on this latest CD – from bluegrass-flavored tunes like “Flats of the Old Avenue” and “Chains,” to the incredibly funky “Bad Locomotive” and “Shake ‘em Down.” One of The Bridge’s unique selling points is the incorporation of beat box and saxophone, adding jazz and hip-hop flare into the mix as well.

From the opening song “Get Back Up,” listeners will hear the remarkably tight instrumentation between guitarist Cris Jacobs, bassist Dave Markowitz, drummer Mike Gambone, saxophonist Patrick Rainey, and mandolin/beat boxing extraordinaire Kenny Liner. Supplementing the five core members of the group are frequent guest appearances, including organist John Ginty (Citizen Cope), pianist Mookie Siegel (Phil Lesh & Friends, Dave Nelson Band), and drummer Russell Batiste Jr. (The Funky Meters).

One of the album’s most powerful displays appears in the soulful and dynamic “Angelina.” Jacobs reveals his strength on lead vocals, showcasing a broad range and pitch perfect harmonies with backing vocalists Dave Markowitz and guest Ed Hough.

“Bad Locomotive” is an instant stand-out track, filled with beefy bass lines, smoking hot guitar licks, and a blistering solo from Jacobs that is nearing Stevie Ray Vaughan status. Ominous statements like “halfway to the burying ground” and “I sold my reason for a one-way ride” conjure images of addiction and destructive behavior, which marks a brief departure from the mostly light-hearted tone found in the rest of the album.

Beyond his abilities on the guitar and vocals, Cris Jacobs is listed as the songwriter for nine of the album’s twelve tracks. He and co-founder Kenny Liner share authorship of “The Ballad of Clear Rock,” and Liner is credited with the remaining two songs.

It was an ambitious undertaking considering the band’s heavy national touring schedule, but apparently these two were up to the challenge. What has emerged is a refreshing album with broad appeal, one that literally bridges the gap between genres and generations (and it helps with road rage, too).

The Allman Brothers Band - Live 8.14.07 - Bristow, VA

The Allman Brothers Band
Nissan Pavilion – Bristow, VA
August 14, 2007 – 6:30 PM
Supporting Act – Bob Weir & Ratdog

Last night was absolutely mind-blowing, and the current state of my brain definitely confirms that. I still have a smile on my face (and grass stains on my feet) even though I’m at work and running on few hours of sleep + lots of coffee. The performance (and the whole experience) exceeded all of my expectations. The weather was picture perfect, the lawn was open for business, and the crowd was just the right size. We met quite a few colorful characters – one guy in the beer line who was our own personal stand-up comedian.

The band took the stage at 9:00pm, and the music didn’t stop for two glorious hours.

SETLIST:
Hot ‘Lanta, Statesboro Blues, Ain’t Wastin’ Time No More, Midnight Rider, Maydell, Soulshine (with Ron Holloway on sax), Wasted Words, Good Morning Little Schoolgirl (with Jeff Chimenti on keys), Leave My Blues At Home, Trouble No More, Same Thing > Bass > Drums >Same Thing (with Ron Holloway on sax)
Encore: Melissa, Jessica

Sunday night, the show started off at a simmer. Last night, they came out scalding with “Hot ‘Lanta” into the unshakable crowd-pleaser, “Statesboro Blues”. They kept the hits coming with “Ain’t Wastin’ Time No More” and another audience favorite, “Midnight Rider”. Then it was time for some Warren Haynes originals. “Maydell” sure put the squeeze on me – the guitar work and Warren’s vocals had me crying out to the heavens. I didn’t think it could get better, but that opening riff of “Soulshine” nearly brought me to my knees. One of the best songs ever written in my humble opinion, and Ron Holloway on sax sends it soaring. Our other guest of the evening, Ratdog’s keyboardist Jeff Chimenti, laid down some vicious piano on “Schoolgirl” while Gregg took a break. There was no relenting once Gregg came back out. Willie Dixon’s “Same Thing” was perhaps the pinnacle of the evening for me, if I had to choose. Also, I am in love with the bass and drums combo they have going on now. As I said before, it’s great to see Oteil getting more of the limelight. The night ended with the two beautiful belles of the ball, “Melissa” and “Jessica”, leaving me with an entirely different setlist than Sunday night. I wish I had more hands so I could give this show TEN thumbs up!

North Mississippi Allstars - Live 7.28.07 - FloydFest 6

I can’t even begin to describe how fantastic the guys were on Saturday night. Then again, it’s impossible for me to be objective at this point. Trust me despite my bias – you absolutely, positively MUST go see the Allstars if you get the opportunity. Straight up blues, boogie, funk, rock, country – you name it, these fellas can lay it down. Kurt Clayton has started sitting in on keys for some shows, and I had the pleasure of seeing him for the first time at FloydFest. The element he adds is incredible, never distracting, like he was meant to play with ‘em. I also got to see Chris break in his new Lakland and it was mmm mmm good. The MC pulled me aside and told me Big Chew was the best bassist he’d ever seen in his life, and he certainly got no arguments from me ;o) The brothers Dickinson were on fire as usual. Luther is not wasting any time ascending the ranks to guitar god status, and Cody is just plain killer on the drums. They were only scheduled to play til 12:15, and it was about 12:45 when they started the encore. The crowd was going nuts – I’d be curious to know how many people came to FloydFest to see the NMAs, cause they were packed in like sardines as far as the eye could see. During the “All Night Long” encore, a young man, he couldn’t have been older than 13 or 14, came out and just SHREDDED it. I was floored when I looked up and realized it was a kid. Apparently, he is/was a student at Dave Matthews’ guitar school, but skills like that can not be taught, he played like an old pro. I was jealous of his cool factor – this kid is going places. Eventually I’ll get back to you with his name….

EDIT: The "young shredder" referenced above is Willie DE - he was at the festival performing with his band, The Wave.

Anyway, if I didn’t say it enough by now, the show was amazing. I’m still quite exhausted, though. We got lost for about an hour and a half leaving the festival grounds, I was in a rental car because the Kia was broken, and I’ve spent about 15 hours on the road in the past two days. But was it worth it? Hell yeah!

PS: I wasn’t kidding when I said go see these guys (click here for tour dates ) – they’ve got gigs lined up all over the country through the rest of the year – a few supporting the Allman Brothers and the Black Crowes, and then a 6 week tour with Mavis Staples, Charlie Musselwhite, and Joe Krown. I know The Grammys are a sham these days, but still, they didn’t get nominated for three for nothing.

PS: Total praise & gratitude towards the special gentleman who made this night amazing :O)

Col. Bruce Hampton & The Aquarium Rescue Unit - Live 5.9.07 - Richmond, VA

Col. Bruce Hampton & The Aquarium Rescue Unit
Innsbrook Pavilion in Glen Allen, VA
May 9, 2007, 6:30 PM

Even though I’ve been to the Innsbrook Pavilion many times before, it still trips me up that the place is nestled inside a giant office park. Not your typical location for a concert venue, but somehow the folks over there have made it work. There are some drawbacks to the area, though. For one, the crowd is normally littered with white-collar professionals who are much more interested in social hour than music (an ongoing beef of mine). Secondly, the security is tighter than the proverbial duck’s arse. While the police presence didn’t confront me none, the constant chitter-chatter certainly cheesed me off. I meandered through the crowd searching for a quiet haven to enjoy the show, which I did, right in front of the speaker. It’s sad when that’s the only place you can go and actually hear over the talking, but hey, you do what you have to do.

By the time I got settled, the sun was setting and the Aquarium Rescue Unit was already about 30 minutes in to their set. The group, considered the forerunner of the modern day jam band scene, has had an ever-changing lineup since its inception in the late 80s. Wednesday night, the ARU consisted of some familiar faces to me – founding member and “Godfather of Jam” Col. Bruce Hampton, current Widespread Panic guitarist Jimmy Herring, and the Allman Brothers Band’s current bassist Oteil Burbridge as well as Jeff Sipe aka Apt Q-258 (percussion) and Bobby Lee Rodgers (banjo/vocals) both of whom were new to me. Since this was my first ARU gig, I didn’t recognize much of what I was hearing. You didn’t have to know the songs to know it was some straight-up goodness, though. These guys rarely play together nowadays, so it was beyond a treat to have this opportunity. The band laid down some of the sickest grooves I have ever witnessed – impeccably fusing rock, bluegrass, jazz, you name it. I have heard before that Oteil is limited by the Allman Brothers Band; judging by his performance Wednesday night, that assessment is correct. He really took command over a good portion of the show, singing and scatting while dropping some scorching hot bass lines. Someone awesome captured footage and posted it on YouTube –

When Oteil wasn’t directing traffic, Col. Bruce graced us with his rough and rootsy vocals. Even though he is considered the band leader, he deserves to lay low if that’s what he’s feeling – the man is an unacknowledged legend. He just has that quality about him – you know you’re in the presence of greatness. And then there’s Jimmy Herring, who is a master of his craft. Most people know Warren Haynes is one of my favorite living guitarists, but Jimmy is now closing that gap. He shreds it and totally floors me with his solos. If he sang, too, Warren might have a real fight on his hands. See what I mean –

Towards the middle of the set, Derek Trucks came out for a few songs and we got a short glimpse of the amazing chemistry between him and Jimmy (more to come during the DTB set). Then, a very young man appeared on the drums who was later identified as Derek’s little brother, Duane. With their uncle Butch playing drums for the Allman Brothers, the Trucks family is building quite the musical pedigree. The ARU closed out their set with a splendid rendition of “Turn On Your Lovelight,” and the roadies got to work on setting up DTB ’s equipment.

If you EVER have the opportunity to see the Aquarium Rescue Unit, you absolutely should. They made a hell of a first impression on me. I have run out of ways to say amazing, so I’ll just leave it at that.

PS: A special thanks to the wonderful man who made this evening possible :P

Derek Trucks Band - Live 5.9.07 - Richmond, VA

The Derek Trucks Band special co-bill with Col. Bruce Hampton & The Aquarium Rescue Unit

Col. Bruce Hampton & The Aquarium Rescue Unit
The Derek Trucks Band
Innsbrook Pavilion in Glen Allen, VA
May 9, 2007, 6:30 PM

The sun had set, the crowd had thickened and at about 8:30 pm, Derek’s entourage emerged. No words, no introductions – they just launched straight in.

SETLIST
Volunteered Slavery >
I’ll Find My Way
Crow Jane
Sahib Teri Bandi
Soul Serenade (with Duane Trucks on drums)
Meet Me In The Bottom (1st Time Played)
Goin’ Home (1st Time Played)
Joyful Noise (with Jimmy Herring on guitar, Oteil Burbridge on bass, and Jeff Sipe on drums)

Encore
Mahjoun > Greensleeves (with Jimmy Herring & Jeff Sipe)
Key To The Highway (with Duane Trucks & Jimmy Herring)

This was my fifth time seeing the Derek Trucks Band on stage, and as always, I have nothing but compliments. These guys have incredible unity, with a sound that is so direct and pure. You can tell by their masterful fusion of different genres that they are drawing on a huge musical vocabulary. You won’t get much stage antics from these guys, either – aside from drummer Yonrico Scott’s facial expressions and band introductions. “On lead vocals and beautiful afro, Mr. Mike Mattison; on keyboard and flute, Mr. Kofi Burbridge; on bass guitar, Mr. Todd-don’t call him small…but he is small Smallie; on percussion, Count M’Butu; and on the guitar…….MR. DEREK TRUCKS !” Aside from those introductions and a “thank you for coming out” at the end of the night, the band lets their music do the talking.

“Crow Jane,” a grinding delta blues tune, is one of my favorites to hear. Close your eyes and listen to Mike Mattison’s falsetto singing, and you might think it’s a woman up there on stage. I use this description in the most flattering way; the man has an incredibly diverse, soulful voice and is comfortable letting it fly however it sounds best. “Sahib Teri Bandi” is another one of my top picks, mainly because of Kofi Burbridge’s flute playing (takes me back to when I was a flutist in my high school marching band heh). “Meet Me In The Bottom” and “Goin’ Home” were both performed for the first time – I was keeping track of the setlist and they threw me a curveball with those two. I wrote this review a few days back, but my dedication to detail prevented me from posting until I found out those song titles (thanks DTB setlists!).

The highlight of the night was unequivocally the “Joyful Noise” featuring 3 percussionists, 2 bassists, and 2 guitarists. Each musician had his time in the spotlight, with Oteil reconfirming that the Allman Brothers fence him in. And then you have the interplay between Derek and Jimmy. Is there anything more awesome than the guitar call and answer? My soul just feels lighter when I’m watching two musicians at the top of their game “talking” to each other musically. Jimmy and Derek are both men of limited expression while they’re playing, but I caught Jimmy smiling in amazement as Derek did his thing, and Derek had more grins than I’ve ever seen him have on stage. All of the guys looked like they were having an insane amount of fun, and it definitely rubbed off on the audience. People around me were clutching their chests and looking up to the sky as if to thank God for this beautiful music. When the song was finished, the crowd applauded and cheered and begged the boys to return to the stage. I was thrilled to see Jimmy return with the rest of the band. The “Greensleeves” arrangement that Derek does is incredible, although by that point it made me want to lay down for a nap. Luckily, it was an abbreviated version, and they went out with a bang – “Key To The Highway.” Mike unleashed everything he had left, and Derek channeled Duane with some of the most heart-wrenching slide guitar work I’ve ever heard. I’ve seen them perform this song several times now, but I think the addition of Jimmy Herring made Derek up the ante. He gets better every time I see him.

Derek Trucks Band is on the do-not-miss list for me. The guys are playing in DC Wednesday night, and I’ve got to tell you, it’s gonna be tough for me to keep the Kia parked in the driveway!

PS: Again, a very special thank you to the great friend who made this evening possible