Showing posts with label Instrumental. Show all posts
Showing posts with label Instrumental. Show all posts

Monday, October 29, 2007

Rodrigo Y Gabriela - Live 10.21.07 - Washington, D.C.

Two straight-backed, black leather chairs sat empty on the stage at the 9:30 Club in Washington, D.C. The sold-out house, packed with hundreds of anxious Rodrigo Y Gabriela fans, bustled with rowdy anticipation. Shortly after 9:30, an uproar of applause and cheering welcomed the young guitar duo as they took their seats and strapped on their acoustic guitars.

Hailing from Mexico City, the pair definitely has a Spanish guitar sound, but to say that these two are flamenco artists would be a glaring understatement. In fact, describing their music using any conventional classifications seems inadequate. The Latin roots are undeniable, but Rodrigo Y Gabriela have truly created a style of their own - a form of jazzy acoustic hard rock you really have to see to believe.

The D.C. crowd was inspirited from the first note of the performance, clapping loudly and moving their bodies to the rhythms that Gabriela slapped out on her guitar. It’s unlike anything you’ve ever witnessed; hands moving so rapidly they are a blur, striking each chord and beat in perfect time.

At one point towards the end of the show Gabriela attempted to demonstrate her method, explaining that many people think she uses her knuckles but it is actually her wrist, thumb, middle, and ring finger. Despite slowing it down quite a bit, it’s doubtful that anyone will be able to replicate her technique.

The seemingly effortless ferocity on stage was complemented by live video providing close-up views of the fluttering fingers and impeccable artistry. Rodrigo’s deft maneuvers on the fret board exhibit a technical mastery surprising for such a young musician. He not only picks the strings but also occasionally scrapes them, creating a thunderous sound resembling a helicopter or jet engine. Whenever he was not playing, his arm raised and pumped in the air, inciting the crowd to clap along with Gabriela’s percussive taps.

About midway through the set, Gabriela finally spoke out, “Hello everybody! You’re f**king great clappers,” eliciting a wall-rumbling outburst of hoots and hollers. She mentioned a new album coming up next year with “new riffs and new harmonies,” and then added with a smile, “If you want to dance naked, no problemo,” before launching into the next song.

After this number, it was Rodrigo’s turn to address the fans. “It’s great to finally be here after two times we couldn’t,” referring to the Visa problems earlier this year which resulted in several postponed shows. He then welcomed former Testament guitarist Alex Skolnick (who had played as the opening act in the form of the Alex Skolnick Trio) to the stage, stating what an honor it was to have him there.

Once their guest had concluded his appearance, Rodrigo Y Gabriela resumed their head-banging thrash acoustica with more songs off their self-titled album and its forerunner Re-Foc. In addition to original material, the duo put their innovative spin on the Led Zeppelin classic “Stairway To Heaven,” as well as several Metallica tunes including “Orion” and “One”.

Perhaps the most stirring moment of the evening came during the hair-raising cover of Pink Floyd’s “Wish You Were Here,” which had nearly every audience member singing along. Just when it seemed Rodrigo couldn’t possibly be more impressive, he picked up his beer bottle and used it to play an amazingly smooth slide guitar solo which evoked looks of wonderment throughout the audience.

The show ended after roughly two hours of steady playing, although Rod Y Gab looked like they could keep going all night. The expressions of awe on the faces exiting the 9:30 Club were evidence that casual fans had become admirers. Rodrigo Y Gabriela have legitimately raised the bar, and their live show couldn’t come more highly recommended.

Sunday, May 27, 2007

Medeski, Martin, & Wood - Live 5.24.07 - Richmond, VA

Medeski Martin & Wood
Lewis Ginter Botanical Garden in Richmond, VA
May 24, 2007, 6:00PM
Ticket Price $25
Opening Act: Homemade Bread

The evening was beautiful – my first time seeing Medeski Martin & Wood and my first visit to the Lewis Ginter Botanical Garden. Being there, I remembered how I love plants (not just the ones you smoke ;). I felt an instant sense of peace when I walked through the gates. The flowers and the greenery were in full bloom, little hippie children were running around, and the weather was ideal. I made a spur of the moment decision to go to the show, so I figured it would be a solo venture. Luckily, Amanda had the day off and accompanied me.

We got there about midway through the opening band’s set. Homemade Bread they were called, and they sounded pretty good. Their style was funky and jazzy, and the vocals were solid. The saxophone player, David Gay I believe, really impressed me. Definitely want to check out more from these guys, but I’m having difficulties locating them on the web, can’t even find ‘em on Myspace. I think they need my marketing assistance ;o)

EDIT: I came across this snippet about Homemade Bread on the Haymaker Festival website.

I used the break before MMW to wander around and snap some more pictures of the gardens. Gorgeous! I can’t believe I go to Richmond so frequently and don’t take advantage of that place.

The stroll through the plant labyrinth (along with the beers) had me nicely relaxed and primed for the MMW set. The crowd cheered as John Medeski made his way over to the piano, with Chris Wood and Billy Martin following shortly there after. They each took their time warming up – Medeski getting used to the feel of the piano, Wood tuning his upright bass, Martin organizing his giant arsenal of percussion equipment. Unlike a rock ensemble, where the first song is like a blast to the face; Medeski, Martin, and Wood slowly built up to their introductory number. (Disclaimer: I wasn’t able to identify the tunes by name since I am not very well versed in the MMW catalog). They started off with a straight-up jazz piece. As the intensity built, Martin and Wood brought the rhythm, laying the foundation for Medeski to show his stuff. It wasn’t long before he was standing and strumming the strings of the grand piano as if it were a stringed instrument (well, it is technically, but you know what I mean). For the second song, Medeski pulled out his melodica and Wood switched to the electric bass, and the sound shifted from jazz to world music. They got into some deep grooves throughout their 90 minute set, but the highlight was definitely the encore cover of “What’d I Say?”. People who had been seated all night got up and joined the rest of us in the hippie shuffle. MMW was exactly what the doctor ordered for me, but I heard some folks commenting that it was too jazzy for their tastes. My guess is that most of these people miss the guitar. I thought it was a refreshing change to have the focus be on the piano; I miss that instrument in music. Definitely seeing this trio whenever they come around Virginia again.